Curvy schmurvy. I prefer well-rounded

Tell me if you see what’s wrong with this picture that was posted on Facebook from the Women’s Rights News web site: a plus-size model clad only in her lingerie, with this blurb emblazoned in all capital letters and vivid purple ink: “There is no such thing as percect (sic). There is just me, and guess what I’m OK with that.”

Underneath that photo is the text line: “Curvy is fine.”

Click here to see the photo:

Leaving aside the poor grammar and spelling in the blurb … and leaving aside, for the moment, the irony that such an act of self-objectification appears on a web site that purports to promote feminist values … I have to wonder if anyone besides me is bothered by the use of the euphemism “curvy” to mean something it doesn’t actually mean. It implies that all women of ample proportions are curvy, and that simply is not the case. It also implies that no slender woman can possibly be curvy. Also not true.

I prefer the term “full-figured,” which is far more accurate without being pejorative. Better yet, how about “intelligent,” or “talented” or even (and I know this is a radical notion) “human”?

But what’s even more troubling to me is the fact that women feel the need to pose in their underwear to prove something. Because frankly, I don’t choose my friends on the basis of how they look in their lingerie. I’m interested in knowing what books they’ve read, or the results of their latest lab experiments, or what they’re doing to eradicate puppy mills.

And if someone is judging me on the basis of how I might theoretically look in my skivvies–especially considering that the vast majority of the population will never in fact see me in them without the proper street attire on top–it’s probably not worth trying to prove anything at all.

Except perhaps how quickly I can move on to a more engaging conversation with a more well-rounded person.

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Never the Twain shall meet

“I can’t stand George Eliot and Hawthorne and those people. I see what they are at a hundred years before they get to it and they just tire me to death.” – From a letter written by Mark Twain

I never thought I’d say this, but I’m saying it now:

Samuel, Samuel, Samuel. Sometimes you need to know when to shut up.

This from someone who has been a lifelong fan of Mark Twain’s writings and pithy sayings. I love his books. I love his short stories. I love his little bon mots that have been duly passed down by generations of admirers.

Come see the softer side of Twain

I love repeating his famous bits of wisdom like this one:  “Don’t go around saying the world owes you a living. The world owes you nothing. It was here first.”

“Age is an issue of mind over matter. If you don’t mind, it doesn’t matter.”

And of course, this oft-repeated classic: “It is better to remain silent and be thought a fool than to open one’s mouth and remove all doubt.”

There are even times when he borders on lyricism and beauty. His book Adam’s Diary, a little gem that in my opinion gets far too little attention, ends with this tender line about Eve:  “Wherever she was, there was Eden.”

Aaaaahhhh.

But spare me the venom

Sometimes, however,  Twain can be a little too much like the MTV character Daria.

For those who aren’t familiar, Daria is an animated TV series created by Glenn Eichler and Susie Lewis Lynn for the teen-to-young-adult audience of MTV. The series features Daria Morgendorffer,  a sharp, acid-tongued and decidedly antisocial teenager whose wry observations about the people around her expose the follies and hypocrisies of popular culture and suburban life.

At first, her relentless cynicism is entertaining and makes her sound edgy and sharp, maybe a little smarter than the rest of us. But after a while, you just want to smack her and tell her to get over herself. Knee-jerk cynicism isn’t really any more intelligent than rank sentimentality … and given the choice, I’d rather be friends with a sentimental fool.

In praise of happy endings

I say this because Twain’s scathing dismissal of Nathaniel Hawthorne feels particularly harsh to someone who, as a teenager, found redemption and hope in Hawthorne’s novel The Scarlet Letter. Like his main character Hester Prynne, I felt publicly branded and stigmatized for sins that  were of other people’s making. The oppressive condemnation and ostracism from self-righteous Christians that I experienced in small (and small-minded) backwater towns felt remarkably similar to that of the Puritans in Hawthorne’s tale. 

The novel ends with a happy ending of sorts:  evil is exposed, the guilty are punished, and the heroine finds genuine forgiveness and peace … and even a measure of respect from the townspeople who once shunned her.

It was good news for me

Maybe a worldly man of Twain’s maturity and experience could see where that story was headed. But to a 15-year-old girl who could barely hold her head up for all the shame that was heaped on her, it was a revelation of astounding proportions that a respected man of letters and man of God might actually be on the side of the tainted woman.

So with all due respect to Twain’s undeniable wit, given the choice between a sharp-tongued cynic or a compassionate if sentimental fool, I’ll take the sentimental fool any day, hands down.

Because if we writers truly have the power to shape the world around us, then I want to be on the side of the ones who offer mercy and hope. Seems to me that’s a much happier ending.

And when you get right down to it, don’t we all, deep down, want happy endings?

Poem-A-Day for Sunday, April 7

Here’s my offering for the poem–a-day challenge in observance of National Poetry Month.

Quatrain:  a poetic form consisting of stanzas containing four lines, most typically with the rhyme scheme abab (also called the heroic stanza).  This is written in iambic pentameter.

Muse

When, some years hence, my words have all been penned,

My stories told, my poems nearly spent,

If I have but one more–oh, then, dear friend,

Let that one be for you. I am content.

 

And if the passing years should steal my song,

If, on some day, my notes no more ring true,

Let every one of them be somehow wrong,

Save but this one–I still will sing for you.

 

And someday, as we look back on these days,

And smile at how we’ve lasted the years through,

If I am granted but one final gaze,

In that one glance, my eyes will be on you.

 

 © 2013 Ann Graham Price

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